{"id":1978,"date":"2026-01-15T12:03:57","date_gmt":"2026-01-15T11:03:57","guid":{"rendered":"https:\/\/especesdespaces.com\/EE\/?page_id=1978"},"modified":"2026-09-17T12:00:38","modified_gmt":"2026-09-17T10:00:38","slug":"spectacle-cavalcade","status":"publish","type":"page","link":"https:\/\/especesdespaces.com\/EE\/spectacle-cavalcade\/","title":{"rendered":"Cavalcade (2028)"},"content":{"rendered":"\t\t
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Cr\u00e9ation 2028<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Distribution<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Direction artistique : <\/span><\/strong>Esp\u00e8ces d\u2019Espaces<\/span><\/p>

\u00c9criture et mise en sc\u00e8ne<\/strong> : <\/span>Jean-Marc Besenval, Florentin Guesdon<\/span><\/p>

Projection et r\u00e9alisation : <\/span><\/strong>Jean-<\/span>Marc Besenval
<\/span>Sc\u00e9nographie et accessoires :<\/span><\/strong> Florentin Guesdon
<\/span>Com\u00e9dien<\/strong> <\/span>: Christophe Hamon ; en cours
<\/span>Cr\u00e9ation lumi\u00e8re et cadre<\/strong> : <\/span>Axel De Bruyn
<\/span>Musique et cr\u00e9ation son<\/strong> : <\/span>en cours
<\/span>Collaboration \u00e0 l\u2019\u00e9criture\u00a0<\/strong>
<\/span>Aide \u00e0 la dramaturgie : <\/span>Pascal Rome
<\/span>Aide \u00e0 la structuration du r\u00e9cit : <\/span>Thomas Vieille<\/span><\/p>

Production<\/strong> :<\/span> Zo\u00e9 Jarry \/ C\u00e9cile Durot<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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CAVALCADE<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dans cette histoire il sera sans doute question :<\/strong>
D’une projection en avant-premi\u00e8re sur un parking de nuit
<\/span>D\u2019un r\u00e9alisateur qui transforme son h\u00e9ritage en film-hommage
<\/span>D’une enqu\u00eate sur les traces d’un nomade des temps modernes
<\/span>D\u2019un futur proche et au conditionnel
<\/span>D\u2019une carcasse de camping-car et son remorquage entre la France et l’Italie
<\/span>D’une histoire qui se fabrique avec la complicit\u00e9 du public
<\/span>De fausses pistes, de surprises, de rebondissements
<\/span>D\u2019autoproduction et de d\u00e9brouille
<\/span>D\u2019accident, de rat\u00e9, d\u2019impr\u00e9vus<\/span><\/p>

Le mot du r\u00e9alisateur Pippo Taleggio
<\/b><\/span> \u00ab\u00a0Quand j\u2019\u00e9tais petit, mon oncle Zio Paolo avait un camping-car. Chaque \u00e9t\u00e9, il nous proposait de partir avec lui en voyage. Pas un voyage autour du monde, ni m\u00eame un tour de Broglina, le petit village o\u00f9 nous habitions. Rien de tout cela puisque le camping-car ne roulait plus. La carcasse avait \u00e9chou\u00e9 \u00e0 quelques de m\u00e8tres de sa maison, sur un terrain vague. Il avait parcouru le monde \u00e0 bord de son \u00ab compagno \u00bb comme il l\u2019appelait, filmant quantit\u00e9 de paysages mais surtout la route. De longs plans s\u00e9quences, parfois une bobine enti\u00e8re de Super 8. Certains soirs, il installait un projecteur devant le poste de pilotage et transformait le pare-brise en \u00e9cran de cin\u00e9ma. Zio Paolo nous a quitt\u00e9, c\u2019\u00e9tait un marginal, un ours qui avait un don incroyable pour raconter des histoires. C\u2019est sans doute ce qui m\u2019a donn\u00e9 l\u2019amour des plans s\u00e9quences et l\u2019envie de faire du cin\u00e9ma. Ce projet lui est d\u00e9di\u00e9.\u00a0\u00bb<\/span><\/span><\/p>

Terrain de jeu \/ Extrait du dossier artistique<\/span><\/p>

Cavalcade<\/span> se veut un acte jubilatoire, un espace o\u00f9 il est permis de r\u00eaver, d\u2019endosser de nouveaux r\u00f4les, de jouer la com\u00e9die. Qui n\u2019a jamais r\u00eav\u00e9 de figurer dans un duel fa\u00e7on western ? De se retrouver au volant de sa voiture, embarqu\u00e9 \u00e0 toute vitesse dans une course-poursuite ? De passer du polar \u00e0 la science-fiction en un instant ?<\/span><\/span><\/p>

Cavalcade<\/span> na\u00eet de cette envie de proposer un terrain de jeu \u00e0 l\u2019\u00e9chelle d\u2019un parking, et d\u2019ouvrir le cin\u00e9ma dans la ville pour r\u00e9injecter de l\u2019imaginaire dans le r\u00e9el. <\/span>Cavalcade<\/span> est une forme qui vise \u00e0 cr\u00e9er une \u0153uvre collective et participative au c\u0153ur d\u2019un studio en effervescence.<\/span><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Crise du logement
et satire sociale<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Une course-poursuite p\u00e9taradante<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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L’envers du r\u00e9cit : une \u00e9criture ancr\u00e9e dans le r\u00e9el<\/strong><\/p>

Cavalcade<\/em> ne na\u00eet pas d’un imaginaire ex nihilo. Le projet prend racine dans le r\u00e9el. Fid\u00e8les \u00e0 notre m\u00e9thode, nous souhaitons faire du collectage documentaire le socle de notre \u00e9criture, comme mati\u00e8re premi\u00e8re \u00e0 partir de laquelle la fiction s\u2019incarnera.<\/p>

Le point de d\u00e9part est la crise du logement. Tirer ce fil, c’est parler de ceux que le syst\u00e8me rel\u00e8gue en p\u00e9riph\u00e9rie \u2014 ces milliers de personnes qui vivent dans les marges, dans des squats, des mobil-homes \u00e0 l\u2019ann\u00e9e ou dans leur v\u00e9hicule, parfois par choix, mais surtout parce qu’il n’y a plus de place pour elles ailleurs.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Aux allures de road-movie \u00e0 la fois \u00e9pique et tragi-comique.<\/strong><\/p>

Cavalcade <\/i>se fabrique sous nos yeux comme un road-movie \u00e0 l\u2019\u00e9chelle d\u2019un parking, prenant cet espace immobile et contraint comme lieu de jeu et d\u00e9cor principal. \u00c0 partir de cette fixit\u00e9, le spectacle fabrique du mouvement, du cin\u00e9ma, du r\u00e9cit et de l\u2019imaginaire. Il s\u2019agit de cr\u00e9er de la cavale, de l\u2019\u00e9pique, du d\u00e9placement\u2026 sans jamais quitter le parking.<\/p>

Il convoque les codes d\u2019un genre \u00e0 la fois populaire et romanesque, de Forrest Gump<\/i> \u00e0 Thelma et Louise,<\/i> en passant par Little Miss Sunshine<\/i> et Za\u00efZa\u00efZa\u00efZa\u00ef. <\/i>En y ajoutant sa touche de folie et de rocambolesque !<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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PRODUCTION<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Production <\/b>: Esp\u00e8ces d’Espaces
Coproduction et accueil en r\u00e9sidence :<\/strong> Ville de Saint-Hilaire de Riez (85) ; Les Tomb\u00e9es de la Nuit (35) ; Animakt ; en cours<\/span><\/span><\/p>

EN RECHERCHE DE PARTENAIRES EN COPRODUCTION ET ACCUEILS EN RESIDENCE.<\/span><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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EN T\u00c9L\u00c9CHARGEMENT<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tDossier artistique<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Cr\u00e9ation 2028 Distribution Direction artistique : Esp\u00e8ces d\u2019Espaces \u00c9criture et mise en sc\u00e8ne : Jean-Marc Besenval, Florentin Guesdon Projection et r\u00e9alisation : Jean-Marc Besenval Sc\u00e9nographie et accessoires : Florentin GuesdonCom\u00e9dien : Christophe Hamon ; en coursCr\u00e9ation lumi\u00e8re et cadre : Axel De BruynMusique et cr\u00e9ation son : en coursCollaboration \u00e0 l\u2019\u00e9criture\u00a0Aide \u00e0 la dramaturgie : …<\/p>\n

Cavalcade (2028)<\/span> Lire la suite\u00a0\u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1978","page","type-page","status-publish","hentry"],"yoast_head":"\nCavalcade (2028) - Course-poursuite p\u00e9taradante<\/title>\n<meta name=\"description\" content=\"2035, dans un monde devenu autoritaire, la crise du logement a pouss\u00e9 des milliers de personnes \u00e0 vivre dans leurs v\u00e9hicules. 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